Showing posts with label Lee Moses. Show all posts
Showing posts with label Lee Moses. Show all posts

Friday, August 26, 2011

A Deep Soul Story

Have a listen.

"Bad Girl Pt. 1 & 2." by Lee Moses


Almost two years ago now I was living in Toronto and training to be a voice teacher at York University. In October, all the students are given a week off for Canadian Thanksgiving. (For real, Canada!?) So I thought to myself, "Hey, I might as well get out of town and see some sights!" So I made arrangements for my cat, packed a bag, and hopped a train to New York to hang with my homie Mark in Brooklyn. I was looking forward to catching up with him.

He meets me at Penn Station and hits me with the obligatory bear hug. Even though the guy probably weighs about the same at a six-foot pile of feathers, you better be in shape when he decides to show you some love. We took the L train back to his spot in Bushwick and stayed up way too late making cynical and ironic jokes about music and politics. At the time he was living with both his girlfriend and another one of our LSU buddies, and I'm sure we kept them awake far too long.

Over the next week, we explored a variety of interesting New York things. The stand-out day was seeing the American Museum of Natural History. For many years I've seen pictures of the exhibits in that building and it was an incredible experience to actually stand next to them. Dinosaurs are effin' cool, especially those giant T-Rex skulls. It was also around this time when I began my interest in the work of Dr. Neil deGrasse Tyson, who is the head of the museum's astrophysics wing the Hayden Planetarium. That was a really good day.

Nevertheless, some where along the course of the week Mark says to me, "You've got to hear this guy I just found." Now, usually when Mark says something like this to me I don't take the suggestion lightly. I can only remember two or three times during the course of our seven-year friendship when he's made musical or artistic recommendations; he's a critical cat. The time before this, we ended up seeing these guys. (Be sure to turn you speakers up all the way!)

I believe the first Lee Moses track Mark played for me was "Free At Last", and it was immediately apparent to me I would rest very little before I found every bit of his music I possibly could. He soared over the track with discordant radiance and inspired abrasion, erupting with soul. I simply could take my ears off his music. Next, we heard his immense version "Hey Joe", (by far the best version I know other than Hendrix) then took off into "Bad Girl Pt. 1 & 2". I believe the first impulses I had were feelings of jealousy and frustration, because I could remember very few of my theatrical performances in which I embodied that much need and urgency. This guy was putting everything he was on these records.

I eventually found a link to download his album which is about the only way anyone can get it. It's apparently out of print, so buying a hard copy is going to be difficult and expensive. If you'd like to know more about Lee Moses, this is always a good place to start. If you're interested in exploring other deep soul artists, I've found no better site than Sir Shambling's Deep Soul Heaven. Although Lee isn't on there (He should be!) there's plenty there to discover.



peace.

Monday, January 17, 2011

Drivin' 'Round the City at Night Music

Last night I was on my way home from work and thumbed my way to 808s and Heartbreak on my iPod. For the uninitiated, 808s and Heartbreak is the fourth studio album by Kanye West. Released in 2008, its prominent musical element was Kanye's extensive use of Auto-Tune added to a minimalist production style centered around the Roland TR-808 drum machine.

Skipping through the playlist, I landed on the eighth track on the album called "Street Lights". And as I listened, it was almost as if the song became the soundtrack of my ride home. The lyrics, the production, the atmosphere, everything about the song seemed specifically arranged for a midnight ride through the cold and quiet Philadelphia streets. It was so perfect in fact, that I set my iPod to single-song repeat and took the long(er) way home. I almost didn't want it to end.

This got me thinking. What makes a song good for riding through the city at night?

So I went through my catalog on iTunes and made a playlist with every song I could remember playing in my car to enhance my nighttime excursions. Here's what I came up with. I'm sure I'm missing something, so don't scold me:

Kanye West - Street Lights
Digable Planets - Pacifics
k-os - Heaven Only Knows
Mariah Carey - Fourth Of July
Common - A Filim Called (Pimp)
Lauryn Hill - Tell Him
Ladysmith Black Mambazo - Iyahlonipha Lengane
Lee Moses - California Dreaming
Gnarls Barkley - Who's Gonna Save My Soul
Little Brother - Nighttime Maneuvers
Outkast - Slum Beautiful
Common - The Game
Cee-Lo - Bass Head Jazz
Sade - Love is Stronger Than Pride
Buckshot LeFonque - Phoenix
Amel Larrieux - Infinite Possibilities
Phil Collins - In The Air Tonight
Daft Punk - Something About Us
Jeff Buckley - Lover, You Should've Come Over
Erykah Badu - Drama
Mos Def - Sex, Love And Money
Jamiroquai - Didjital Vibrations
Black Star - Respiration

There are a few common themes that I imagined would be prevalent; references to the night, dreams, the passage of time, and emerging or fading lights are abundant. There is also a general sense of introspection and reflecting upon past times or encounters. However, there were some aspects of the list that varied greatly. Tracks like Sade's "Love is Stronger Than Pride" and the aforementioned "Street Lights" by Kanye West feel very vaporous, very ethereal. Others, such as Cee-lo's "Bass Head Jazz" or Lee Moses' "California Dreaming" seem to carry considerably more weight and, at least to me, feel very dense and viscous. There's also quite a range of tempos here, from the soulful jazz ballad "Phoenix" by Buckshot LeFonque to the dark and penetrating Common cut "The Game".

So I offer these to you. If you get a chance, give them a try on your next evening automotive venture. What songs work best at stoplights? On highways and interstates? Surface streets? Do some feel better under a starry night? How about in rain? Or even snow? You may have limitless discoveries, or you may not dig any of them at all. Either way, it's all good! If you have some others you've found inspire you, feel free to share them in the comments of this post. I'm all about new music!




peace.